Superman Soars Past $400 Million Globally, Defying Box Office Gravity

Superman soars past $400 million globally, defying expectations and outperforming Marvel rivals. DC Studios celebrates a box office triumph, potentially signaling a resurgence for the franchise. Meanwhile, Jurassic World: Rebirth hits $600 million, while new releases like “I Know What You Did Last Summer” and “The Smurfs” struggle to find their footing.

David Corenswet portraying Superman in the 2025 film. Warner Bros./Courtesy Everett Collection
David Corenswet portraying Superman in the 2025 film. Warner Bros./Courtesy Everett Collection

Los Angeles, CA – Warner Bros.’ Superman continues its triumphant flight at the global box office, surpassing $400 million in worldwide ticket sales. This impressive feat marks a significant win for DC Studios, helmed by James Gunn and Peter Safran, and signals a potential turning point for the studio’s cinematic universe.

The film’s sustained performance exceeded initial projections, solidifying its position as a box office powerhouse. While a second-weekend reign at the domestic box office was anticipated, the extent of its staying power surprised many industry analysts. The film’s enduring appeal speaks to its broad audience reach and positive critical reception.



Meanwhile, Jurassic World: Rebirth celebrated a major milestone, crossing the $600 million mark globally. This success further underscores the enduring popularity of the dinosaur franchise.

In contrast, the new releases I Know What You Did Last Summer and The Smurfs opened to disappointing box office numbers, highlighting the unpredictable nature of the film market. Industry experts are analyzing the factors contributing to their underwhelming performance, speculating on marketing strategies and audience expectations.

The success of Superman provides a much-needed boost to DC Studios, offering a beacon of hope amidst the studio’s recent restructuring and strategic shifts. The film’s financial triumph is a testament to its quality and effective marketing, setting a positive precedent for future DC projects. The coming weeks will reveal if this momentum can be sustained and if Superman’s success can translate into a broader revitalization of the DC cinematic universe.

Despite industry concerns surrounding the superhero genre, Superman continues to defy expectations, demonstrating remarkable box office resilience. The film’s performance has exceeded even the most optimistic projections, fueled by strong word-of-mouth and overwhelmingly positive reviews.

In its second weekend, Superman experienced a less-than-expected 54% drop in domestic box office revenue, earning $57.2 million. This brings its 10-day domestic total to an impressive $235 million. This relatively small decline is particularly noteworthy, especially when compared to the recent performance of other superhero films. In fact, the drop mirrors that of Marvel’s summer 2024 blockbuster, Deadpool & Wolverine, further highlighting Superman’s success.

Internationally, where the franchise has historically faced challenges due to the character’s pro-American themes, Superman earned an additional $45.2 million, bringing its international cumulative total to $171.8 million. Globally, the film has now surpassed $406.8 million.

This significant financial success represents a major victory for DC Studios and Warner Bros., propelling them to the top spot in domestic market share for the year to date, surpassing even Disney. The film’s performance underscores the power of compelling storytelling and positive audience reception in driving box office success, even within a potentially saturated market. The sustained momentum of Superman suggests a potential resurgence for the DC cinematic universe.

Warner Bros.’ Superman continues its impressive box office run, surpassing even the most optimistic predictions and outperforming several recent Marvel releases. The film’s success is particularly noteworthy given the intense international competition from Universal’s Jurassic World: Rebirth and Apple Original Films’ surprise hit, F1: The Movie.

Despite facing stiff competition, Superman has already eclipsed the lifetime global box office gross of Marvel’s Thunderbolts ($383 million) in just its second weekend. It’s also on the verge of surpassing another 2025 Marvel release, Captain America: Brave New World, which earned $415 million worldwide. This marks a significant victory for DC Studios, demonstrating a potential shift in the superhero genre’s dominance.

Warner Bros. is celebrating a double win, as they are also assisting Apple in the marketing and distribution of F1: The Movie, which has already zoomed past $460 million globally, with $153.6 million domestically and $307.2 million internationally.

Starring David Corenswet as Superman, Rachel Brosnahan as Lois Lane, and Nicholas Hoult as Lex Luthor, the film boasts a stellar cast that includes Skyler Gisondo as Jimmy Olsen, Isabela Merced as Hawkgirl, Beck Bennett as Steve Lombard, Nathan Fillion as Guy Gardner, Anthony Carrigan as Metamorpho, and Edi Gathegi as Mister Terrific. The film’s strong ensemble cast has contributed to its widespread appeal.

The remarkable performance of Superman signals a potential resurgence for DC films, challenging Marvel’s long-held dominance in the superhero genre. The coming weeks will be crucial in determining the film’s ultimate box office potential and its long-term impact on the cinematic landscape.

Superman’s box office dominance is set to face its biggest test yet. With the release of Marvel’s Fantastic Four: First Steps just a week away (July 25th), Superman’s reign at the top may be short-lived. Fantastic Four is projected to open with a massive $100 million to $110 million domestically, reclaiming IMAX screens and other premium large-format auditoriums currently occupied by Superman.

This impending competition adds another layer of complexity to the already competitive box office landscape. While Superman has enjoyed a largely unchallenged run thus far, the arrival of Fantastic Four: First Steps will undoubtedly impact its performance. The coming week will prove crucial in determining just how much of an impact this new competitor will have.

Meanwhile, Jurassic World: Rebirth continues its impressive run, crossing the $600 million global milestone. In its third weekend, the film added an estimated $23.4 million domestically, bringing its North American total to $276.2 million. Internationally, Jurassic World: Rebirth earned another $40.3 million, pushing its foreign total to $371.8 million and its global gross to $647 million. The film remains a formidable force at the box office, demonstrating the enduring appeal of the dinosaur franchise. The competition between these three major releases promises a fascinating battle for box office supremacy in the coming weeks.

‘I Know What You Did Last Summer’ Reboot Opens to Moderate Box Office Success

Los Angeles, CA – The R-rated horror reboot, I Know What You Did Last Summer, from Columbia and Screen Gems, opened in third place with an estimated $13 million domestically, meeting modest expectations. Industry analysts predict a slightly lower final figure once Monday’s numbers are released. The film also launched internationally, earning $11.6 million for a global opening weekend total of $24.6 million.

While the reboot features the return of Jennifer Love Hewitt, Freddie Prinze Jr., and Sarah Michelle Gellar reprising their roles from the original film and its sequel, the new installment centers around a fresh cast of newcomers. Madelyn Cline, Chase Sui Wonders, Jonah Hauer-King, Tyriq Withers, Sarah Pidgeon, and Gabbriette Bechtel lead this new generation of characters.

Set thirty years after the events of the 1997 original, the film follows a familiar storyline: a group of friends attempts to cover up an accidental death, only to become the targets of a relentless killer one year later. Seeking help, they turn to two survivors of the infamous Southport Massacre of 1997 – Hewitt and Prinze’s characters – for guidance. The film’s moderate opening suggests a cautious reception to the reboot, though its international performance offers a slightly more optimistic outlook. The coming weeks will determine if the film can build upon its initial box office performance.

‘Smurfs’ and ‘I Know What You Did Last Summer’ Face Mixed Reception at the Box Office

Los Angeles, CA – This weekend’s box office saw mixed results for new releases, with both I Know What You Did Last Summer and The Smurfs receiving lukewarm receptions from critics and audiences alike.

I Know What You Did Last Summer, despite meeting modest expectations, has faced criticism, earning a 38% rating on Rotten Tomatoes. While audience scores were slightly higher (68% on Rotten Tomatoes and a C+ CinemaScore), the critical panning may hinder its long-term box office potential.

The Smurfs, opening in fourth place with $11 million domestically and $22.6 million internationally for a $36 million global debut, also encountered a less-than-enthusiastic critical response. The film’s Rotten Tomatoes critics’ score sits at a dismal 22%, though it fared better with audiences, receiving a B+ CinemaScore. The film’s all-star voice cast, including Rihanna in her first Smurf role, alongside Nick Offerman, Natasha Lyonne, Sandra Oh, Alex Winter, Billie Lourd, Maya Erskine, John Goodman, Kurt Russell, and Jimmy Kimmel, failed to impress critics.

Directed by Chris Miller, The Smurfs marks the franchise’s return to theaters after an eight-year hiatus. This music-infused adventure follows Smurfette (Rihanna) on a globe-trotting mission that takes her and the Smurfs to Paris, Munich, and the Australian Outback, where they encounter the Snooterpoots, feathered creatures reminiscent of Minions. Natasha Lyonne voices the Snooterpoots’ leader. Despite the star-studded cast and adventurous storyline, the film’s poor critical reception raises questions about its long-term box office prospects.

‘F1: The Movie’ Continues Strong Performance, While ‘Eddington’ Opens Below Expectations

Los Angeles, CA – F1: The Movie continues its impressive box office run, rounding out the top five domestically with $9.6 million in its fourth weekend. The film’s remarkably small 26% drop demonstrates its sustained popularity and strong audience engagement. Internationally, F1 added another $29.5 million, bringing its global total to $460.8 million – a figure that surpasses all expectations, especially considering the historical challenges Formula One films have faced in the U.S. market.

In contrast, A24’s Western, Eddington, directed by Ari Aster and starring Joaquin Phoenix and Pedro Pascal, opened in sixth place domestically with $4.3 million. Despite significant pre-release buzz and a star-studded cast, the film’s opening fell slightly short of projections. The film’s divisive nature, as suggested by its mixed reception, may have contributed to its less-than-expected performance. The coming weeks will reveal whether Eddington can overcome its initial underperformance and find a wider audience.

Hollywood Box Office Soars: Superman Breaks $400 Million, Jurassic World Dominates, and F1 Races Towards $500 Million

Los Angeles, CA – This weekend’s international box office saw a flurry of activity, with several films reaching major milestones and others continuing their strong performances. Leading the charge is Warner Bros.’ Superman, which soared past the $400 million mark globally in its second weekend, accumulating a staggering $406.8 million worldwide. This impressive feat marks a significant victory for DC Studios, exceeding initial projections and solidifying the film’s position as a box office powerhouse.

Meanwhile, Universal and Amblin’s Jurassic World: Rebirth continues its reign of dominance, surpassing $600 million globally to reach $648 million by Sunday. The film’s enduring popularity demonstrates the enduring appeal of the dinosaur franchise, a testament to its strong storytelling and broad audience appeal.

Adding to the weekend’s successes, Apple Original Films’ F1: The Movie, distributed by Warner Bros., continues its impressive run, showing remarkable resilience with only a 24% drop in overseas markets this weekend. The film has now surpassed $300 million internationally ($307.2M), bringing its global total to $460.8 million and setting its sights on the $500 million milestone. This unexpected success story highlights the film’s ability to connect with audiences worldwide, defying expectations for Formula One films in the U.S. market.

Universal’s How to Train Your Dragon, another strong performer, is nearing the $600 million mark globally, currently sitting at $589 million. This consistent box office performance underscores the enduring appeal of the franchise.

In Japan, the latest installment of the Demon Slayer franchise is setting records, enjoying a massive opening weekend in its home market. (Specific numbers for Demon Slayer: Infinity Castle were not provided in the source material and would require further research.)

This weekend’s box office results paint a picture of a dynamic and competitive market, with established franchises and new releases vying for audience attention. The success of Superman and Jurassic World: Rebirth shows the enduring power of well-loved brands, while F1‘s performance demonstrates the potential for unexpected hits to break through. The coming weeks will be crucial in determining whether these films can maintain their momentum and continue to break records.

Infinity Castle shattered box office records in Japan during its opening weekend. Early estimates suggest a phenomenal ¥5.9 billion ($39.7 million) haul over the four-day weekend, including a Monday holiday. This surpasses even initial expectations, making it a massive success for the franchise. The film also achieved an all-time IMAX opening record in Japan, grossing $3 million on its opening day alone, and an estimated $3.5 million over the four-day weekend. This surpasses any previous Hollywood or Japanese film’s IMAX opening. The film’s domestic release by Sony is slated for September.

While Demon Slayer dominated the Japanese market, other new releases faced a more challenging landscape. Paramount Animation’s Smurfs secured $22.6 million internationally this session, bringing its global total to $33.6 million. This figure is slightly lower than pre-release projections, likely due to market saturation and unfavorable weather conditions in parts of Europe. The film’s performance in key markets varied, with France leading at $3.7 million, followed by the UK ($1.7 million), Brazil ($1.6 million), Mexico ($1.5 million), and Germany ($1.5 million). Australia, which opened last weekend, contributed $3.3 million to the international cume of $25 million. Major markets such as Korea, Italy, and Japan are still to come in August and September.

Sony’s I Know What You Did Last Summer generated $11.6 million from 58 overseas markets. This is comparable to Happy Death Day 2U and slightly better than Speak No Evil in the same markets. However, the film lacks the same international nostalgic appeal as it does domestically.

Superman continued its international run, adding an estimated $45.2 million from 78 overseas markets. Excluding China, where the film underperformed, the film experienced a 44% drop from the previous session. The international cumulative gross now stands at $171.8 million. Weather conditions significantly impacted performance in some regions. Despite this, several markets displayed strong holds, including France (-23%), Holland (-25%), Germany (-29%), and Italy (-38%). Latin America saw a -39% drop, while Australia performed relatively well with a -32% decline. The top five markets to date are the UK ($22.2 million), Mexico ($16.6 million), Brazil ($11.2 million), Australia ($11 million), and China ($8.5 million). The success of Demon Slayer highlights the power of established franchises in the Japanese market, while the performance of other Hollywood releases underscores the impact of market competition and external factors such as weather.

Jurassic World: Rebirth Soars Past $600 Million, While F1 and How to Train Your Dragon Continue Strong Performances

Universal’s Jurassic World: Rebirth (JWR) continues its box office dominance, surpassing $600 million globally in its third weekend, reaching a total of $648 million. This achievement makes it the fourth highest-grossing film of 2025 worldwide, trailing only Ne Zha 2Lilo & Stitch, and A Minecraft Movie. JWR is the sixth Jurassic film to cross the $600 million mark globally and has become the highest-grossing Hollywood film in China for 2025, with a remarkable $71.8 million to date.

Internationally, JWR experienced a 44% drop across 82 markets, adding $40.3 million for a total international cume of $371.8 million. Excluding China, its performance aligns with Jurassic World Dominion, slightly below Top Gun: Maverick, and significantly above Universal’s How to Train Your Dragon (2025) and Mission: Impossible – The Final Reckoning. The top five international markets are China ($71.8 million), the UK ($33.7 million), Mexico ($28.7 million), Germany ($20.3 million), and France ($17.4 million). The film is set to release in Japan on August 8th.

Meanwhile, F1, directed by Joseph Kosinski, continues its impressive run, adding an estimated $29.5 million in its fourth weekend across 78 overseas markets. This brings its international cume to $307.2 million, and its global total to $460.8 million. The film demonstrated strong holds in several regions, with Asia Pacific (excluding China) experiencing only an 11% dip, and China showing a 37% decline despite the entry of new local films. Europe saw a 25% decrease, and Latin America a 32% drop. Remarkably, Korea saw a 28% increase, highlighting the film’s strong word-of-mouth appeal. Other notable performances include Taiwan (+5%), the UK (+2%), France (-5%), and several other markets with relatively modest declines. The top five markets are China ($45.5 million), the UK ($24.6 million), France ($20.8 million), Mexico ($17.4 million), and Australia ($15.2 million).

How to Train Your Dragon (2025) is nearing the $600 million mark, currently at $589 million globally. Its international weekend gross reached $8.6 million across 82 markets, a 38% decrease from the previous session. The international cume stands at $338.2 million. The top five international markets are China ($38.7 million), Mexico ($36.3 million), the UK ($27.8 million), Brazil ($20.5 million), and Australia ($18.5 million). Japan’s release is scheduled for September 5th. The global IMAX cume for all films mentioned is $79 million.


Box Office: ‘Superman’ Flexes Impressive Staying Power, Flies Past $400M Globally. Superman has transformed into a bonafide crowd pleaser at the box office . buoyed by strong word-of-mouth and reviews.  the storyline . Critics haven’t exactly embraced the reboot,  likewise hasn’t impressed reviewers. ‘Superman’ Flies To $407M Global, ‘Jurassic World Rebirth’ At Monster $648M; ‘F1’ Racing Towards $500M WW & ‘Demon Slayer: Infinity Castle’ Sets Records In Japan – International Box Office